Theater Review: A Cat Called Mercy
by Abel M. Salas Recently staged at Casa 0101, A Cat Named Mercy is not always an easy production to watch. The play, a newly penned drama by Josefina López, written in her signature cine-teatro form, brings us to the brink, literally, of death and beyond. It is no small feat. Staged with aplomb and a veteran director’s subtle hand by Hector Rodriguez, the two-act show is laden with heavy, contemporary issues. Elder care, immigration, undocumented and uninsured elders, the denial of health insurance to those with pre-existing conditions, assisted suicide, and sexual abuse in the home are all addressed with a keen sense of wit and theatricality, that zig zags through a maze of troubling, sometimes hard-to-stomach and always hard-hitting material. In an ironic twist on the play’s title, López offers no quarter or mercy, but she is never so completely heavy-handed that it becomes unbearable. The drama unfolds with beauty and sadness, with bold truths and implacable hope. At