By Susana Bautista                Bull Slipt by John Valadez at Koplin del Rio Gallery's "Artifex."  Five Latino artists that come from different generations, geographic conditions and cultural influences, but all with one thing in common; a commitment to artistically explore cultural artifacts that signify identity. These artifacts can be anonymous remnants from second-hand stores, found and used by Einar and Jaimex de la Torre, or more personal artifacts such as the clothing, jewelry, and tattoos on the figures drawn by Shizu Saldamando, or John Valadez’s cautious use of Chicano artifacts like the low-rider car and the Virgin. Harry Gamboa Jr.’s characters in his photographs, films, and performances have become artifacts of a new Chicano culture that is being constantly (re)created through the organic evolution of Chicano artists themselves. These five artists both appropriate cultural artifacts and create new ones through their artistic vision tha

Last month, we remembered what it means to work, and we honored our mothers. Some of us are still fortunate enough to have them in our lives. Some of us keep them in our hearts because they are no longer with us. A close friend recently attended a funeral for the mother of a fifth-grade girl, who spoke with poise when she said that her only regret was that she had not had more time with her mom. While it is an incredibly heartbreaking story, it reminds us that our mothers are to be cherished as sacred angels as who bring beauty and love, unconditionally. And whether we mourn or celebrate our mothers, it is important to remember that among us are those who have grown up with two moms or two dads, with grandparents or adoptive parents. In each case, it is the loving and nurturing spirit transferred to our children that that allows them to forge forward and pursue their dreams. What matters most is that they are wanted and loved. In that vein, we offer a tribute to Sal Castro , wh